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Her inner transformation is, of course, less obvious. Megan has been changed by her experiences and by what she has heard about other lives, such as refugees in Australia’s offshore detention centres and their shocking conditions. Refugees are persecuted on the grounds of race, religion, political opinion and nationality. This earnest 23-year-old seems keener to talk about these and other issues than about her own life. They’re denied security, legal advice and medical attention. “Just with my lady - we just handed in my partner's visa application for permanent residency so we're a little bit excited about that.” And he's also got good cause to be excited about his own career which, after a hectic past five years that originated in London (where he met Sadia, who now accompanies him on tour selling CDs and joining him live on stage), is finally slowing down a little to give him more time to focus on aspects outside of touring.“Basically for the past five years me and my partner have just been around manically doing shows, living day by day.

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That's been my thing really, I've not been doing any shows, just organising new material and trying to record it and setting it all up.” Stanford began playing in bands from the early age of 15 around St Kilda in Melbourne, until a move to the UK led to him dabbling in the art of loop stations and beatboxing to create entire songs from scratch.

Meeting Sadia introduced him to the sounds of drum'n'bass, jungle and dubstep, which became his primary focus, busking on the streets with just a loop pedal station and his own voice.

Last month the town welcomed back the Dub Princess.

During five and a half years on the other side of the world Megan has acquired a new name, several tattoos – “things I picked up when I was travelling” – and the hint of an Australian accent.